Adult Things

We are almost ten days into the new year and I haven’t been here in over a month. No, I didn’t take a ceremonial end of the year social media break or anything like that. I just haven’t had anything to say. One thing I’ve come to understand about myself is that I value silence. There is so much to learn in the quiet. I also understand that the world has an absurdly short attention span. The less you have to say the more likely you are to be forgotten. Luckily for me, I’m not worried about being forgotten. I’m sure hardly anyone knows this space exists. And that is completely fine with me. Now that that is out of the way….

I ended 2018 having serious discussions about money. Spending money. Managing money. Saving money. Setting ones self up for an inevitable future. Money. A question was posed to me about life insurance and renters insurance. I have neither. The question got me to thinking about the unthinkable. The new year always encourages you to focus on the things you want to change so I started looking into getting myself some insurance. I started with renters insurance, it being relatively cheap and considering I have a budding art collection, I figured it would be wise to get some.

I went to the googles and started my search. Buying renters insurance is like buying car insurance. You can go to one site and they will find you the best rate. Awesome. Filling out the info, I had to figure out how much insurance I actually need. I mentally appraised the contents of my apartment and settled on an amount above what was recommended (I like nice things and art). I am then matched with a company and quoted a rate. Reasonable. Ready to pull the trigger, I scan the site for any fine print I may have missed and I notice a link for the breakdown of the policy coverage. It didn’t occur to me before that I didn’t know exactly what was going to be covered. I was not thinking about it like car insurance. This link was very eye opening. The insurance policy I was ready to buy only covers my items up to the individual coverage limits and doesn’t cover damage that is the result of a natural disaster. Awesome. $2,000 for furniture, $5,000 for electronics, $1,000 for art and collectibles. When I saw that last figure my jaw dropped. Only $1,000 for fine art. How is it possible that the insurance limit for original artwork was only one thousand dollars? If you are fortunate enough to own works above that price point what are you to do? Everyone talks about buying art and supporting artists but no one talks about maintaining your investment.

It can be quite overwhelming when you think about it, maintaining your investment. I saw a post on twitter once that said something like “no one tells you it cost more to frame the print than what you actually paid for the print.” I felt that. The only works I have that are professionally framed I purchased that way. Framing is expensive! This search for the best way to insure my assets has given me a headache and anxiety. Doing the work of compiling all the bills of sale and any certificates of authenticity, photographing each piece, getting an actual appraisal on the pieces; it’s a lot. But it’s also necessary. We can’t invest in things we can’t afford to protect. We also can’t claim ignorance once we learn what we didn’t previously know (and google is free). I did find a site that will catalog your archive and keep all of your paperwork in order. I’m also eager to highlight the artists and works in my collection. Soon come.

I find myself having more and more of these conversations about things that feel very adult. Like insurance. The closer you get to 40 the more illuminated these things become. Which opens the door for another conversation about access to information, class and cultural norms. A conversation I don’t feel like having today.

The important thing is that in 2019 it is on my radar and something I won’t continue to ignore. It’s information I am sharing and I’ll finally know what the work I’ve collected is worth. Win win.

SIS

New mini prints by Rikki Wright to add to the collection.

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I’m going to do a post highlighting the various artists works I’ve had the privilege of acquiring some time soon. For now, I just want to highlight how important it is to support living and local artists.

On Support and Accessibility

Someone might see these 4 x 6 prints and not consider them as part of an art collection, but when building a collection, support and accessibility go hand in hand. I purchased my first painting 8 years ago for $20. The artist made his work, that was worth much more than twenty bucks, accessible to someone that had the desire to support him but not the means. Before that day, I never thought I could own an actual painting. That 12 x 12 painting opened up a new world of possibilities for me.

A couple of years ago, an artist I was just getting to know came over to my house with another artist of friend of mine. When she walked in, she was surprised by all the art on the walls. She recognized a couple of the photographic works. She commented on how she never really considered purchasing art from peer artists she admired and how cool it was to see these artist’s work hanging up in someones home.

My $20 investment inspired someone else to start investing in the work of fellow artists. We all can’t afford to spend thousands of dollars on a piece of art but we might be able to spend $10 or $20. That $20 might help that artist get some supplies, or food, or a new fan that has the means to spend more. We just have to support. Artists that make their work more accessible (by selling small versions) help us do that.

views

Last week I made it out to the California African American Museum (CAAM) here in L.A. for Can’t Stop Won’t Stop, a celebration of their fall exhibitions. Nearly 2,000 people came out to see the shows. It wouldn’t be a party without the deejays and food trucks. It was a really good time. I think the electric slide happened at least 3 times. It’s always a wonderful experience when the community comes together. CAAM does an amazing job of engaging audiences with relevant, thought provoking works from artists of Color. To quote EJ Hills’ work A Declaration, “We deserve to see ourselves elevated.”

Here are pics of the some of works on view…

 

Nina Chanel Abney Royal Flush

Incite (COM), 2015 Nina Chanel Abney

Incite (COM), 2015 Nina Chanel Abney

Mad 51st Street, 2012 Nina Chanel Abney

Mad 51st Street, 2012 Nina Chanel Abney

Untitled (XXXXXX), 2015 Nina Chanel Abney

Untitled (XXXXXX), 2015 Nina Chanel Abney

Robert Pruitt: Devotion

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A Brother I Have Had on Earth, 2017 Robert Pruitt

A Brother I Have Had on Earth, 2017 Robert Pruitt

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Eve After the Fall, 2018 Robert Pruitt

Eve After the Fall, 2018 Robert Pruitt

California Bound: Slavery on the New Frontier 1848-1865

This show was curated by my friend Tyree Boyd-Pates and discusses the little known history of California’s participation in the enslavement of Africans.

This show was curated by my friend Tyree Boyd-Pates and discusses the little known history of California’s participation in the enslavement of Africans.

It’s a lot to take in but so worth it

It’s a lot to take in but so worth it

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The history of Bridget “Biddy” Mason is a fascinating one. Inspiring too

The history of Bridget “Biddy” Mason is a fascinating one. Inspiring too

If you’re in the L.A. area check out these shows. Also on view are Los Angeles Freedom Rally, 1963 and The Notion of Family. There’s a lot to see in L.A. I’m looking forward to getting out to more shows.

musing on Dario Calmese

Like most of the artists that will be featured here, I discovered Dario Calmese on Instagram. Dario’s work (specifically his nudes) reminded me of what initially drew me to Robert Mapplethorpe, but without the sensationalism and voyeurism. There is something in the way that he photographs the body… the intimacy, the relationship he has with the subject. The freedom. It’s all conveyed in his work. He is my new favorite. Please check out his cv. I can’t wait for him to do a show in L.A. I also love his project The Black Art Yearbook

Full disclosure, I almost decided not to proceed with Colored Genus (soon come) after I learned about his “The Black Art Yearbook”. I had to remind myself that we all have unique voices and various perspectives and that there is room for all of us.

Screenshot of Dario Calmese’s Instagram, check out his work @dariothephotog

Screenshot of Dario Calmese’s Instagram, check out his work @dariothephotog